DB: I have a large amount of unprocessed writing (and artwork) that I’d like to work with, but there’s so much of it and it’s so riddled with bad stuff, I’d rather not look at it, so it stays in crates in my basement. Ever since Berman disbanded Silver Jews, there had been rumors of a comeback, usually started by sometime Silver Jew and long-time friend of Berman’s, Bob Nastanovich—best known as Pavement’s percussionist and hype man. I’ve been super depressed for most of 2019, so Purple Mountains is hitting me at the perfect time. DB: I don’t know any fans, and can’t prove they exist. There’s Thomas Bernhard. BLVR: What can your audience expect from the upcoming shows. Normal touring. Of course, encores. It really influenced my picture of what 2020 would look like, and 25 years later it looks to me like it’s still on course. An Interview with David Berman Adalena Kavanagh. Because my father and his allies are everybody else’s problem now. today so Drag City should forward it to you in the next few weeks or so. They never developed coping skills for healing from your setbacks. I was driving back to Nashville after failing in Vancouver, coming home as a fifty-year-old who had just wasted 10s of thousands of dollars failing to make my first work in ten years after completely sitting out my forties. I could produce so much faster if I had assistants like visual artists have assistants. I’m suspicious of people my age or older and bored by the very young. He told Malitz that HBO offered him $150,000 for the rights to his story, but he was afraid they would make his father “an appealing, Tony Soprano-like antihero.” Berman indicated that much of his anti-mainstream ethos stemmed from his contempt for his father. That one of these types shows up every 80 years: glorious rev —-> American revolution —-> Civil War —-> Depression —-> WWII —-> today (these are all roughly 80 years apart). Beverly Rogers, Carol C. Harter Black Mountain Institute. So people who’ve never experienced misfortune are incredibly vulnerable.

There was something going around online because a news program was discussing generational characteristics and historical markers but completely forgot generation x—1965 to 1980. No one tried to tempt me into any reappearance b/c they weren’t really sure what the facts were. Having amiably separated from my wife, I don’t want to sell the house in Nashville we own together out from under her. BLVR: I read Susan Sontag’s “The Aesthetics of Silence.” Why did you ask me to read it?

BLVR: Speaking of words and art, what’s your relationship to the internet these days? I wouldn’t say it’s wrong but something about it doesn’t sit right or seem fair, especially since she’s often uncredited, just a cool-looking anonymous Asian woman while people like Lydia Lunch get something close to glory (?) DB: I’m living here because it’s free. So living here is a part of doing the record, as doing the record is all of me saving my neck. It’s strange to be remembered but still unknown, which is a tangent of what you’ve been musing on—renunciation and silence. BLVR: I dig the photos. David Berman knows this, but he finds no reason to be proud about it, ... “There’s no competition,” Berman told an interviewer in 2002. I wrote about it as a way of modeling the imminent experience, thinking slow exposure might make it less painful. DB: It would be criminally negligent for me to offer advice for living to anyone else. He sang of “chemical dependencies” and smoking “the gel off a fentanyl patch” years before the opioid crisis hit the front pages of newspapers. (To a degree that choice was off the table for me after the Paris nightclub [shooting]. By 2018 Berman had separated from his wife, the musician Cassie Berman; they’d been together since 1999. How are YOU doing? You have to start over. So yes, it’s a case of “leaving money on the table” but I consider those kinds of losses as cosmic investments that pay off in unexpected ways. So I have to go aggressively at the depression. The times I’ve been made aware of outliers in the audience for what I do—the moment of discovery by whatever means: a dentist, a heavy metal musician, a high school principal who is a fan of, [the second Silver Jews album] (there’s two kinds of Silver Jews fans, the ones who favor. Despite publishing a smattering of poems afterward, Berman soon walked away from poetry and never published a follow-up. I’m still waiting for Renunciation to arrive. He laughs them off. Accolades will surely pour in as well from the poetry world, where the native Virginian won similar cultish devotion from his 1999 collection, Actual Air. I didn’t notice at the time but I’m glad I got the exit sign because it’s such a good headline to set above a sunset. It makes sense that their friends and colleagues will come to think of them as quiet Extraverted types.

DB: That’s his dad shorthand for saying I spend time on Reddit. I cannot watch his final Super Bowl drive against the Rams without weeping. I just couldn’t finish the words. , as opposed to any of the others? Berman was plagued with self-consciousness and an impulse to quit rather than risk mediocrity. Vogelsang thought they were jejune. What follows is my email correspondence with David. Anything new going on? This is the course, the one I’m taking, that usually doesn’t work out.

Told me to send them to Arthur Vogelsang.

The children of the WWII generation—the silent generation, the baby boomers—grew up coddled in the new regime, and started to tear it down, initiating another meltdown. David Berman: Here in Ottawa, the nation's capital, Prime Minister Justin Trudeau made a commitment that next year we're going to have a national accessibility law. It was going to come out in a very low-key way. They asked me to film myself lip-synching on a tripod a couple times. BLVR: I remember being 19 and naive and not quite understanding what you meant when you told me New York had too many negative temptations. BLVR: What forms would you work in going forward? DB: I usually get a director, have him over to my house, and improvise on the spot. BLVR: I like that—the exit sign is a good headline over a sunset. BLVR: Sounds like you can’t stand to look at your work critically.

I don’t have much respect for the form i guess. I’m guessing you’re thinking about the fact that Malkmus doesn’t incorporate much sentimentality in his music, that his songs lean on irony and humor (the silly, lighthearted kind that’s not rooted in pain). A line from the song plays an important part in the narrative. All-access pass to top stories, events and offers in the Twin Cities.

Not yet. When their poetry imprint turned it down, Rob decided to make Open City Books.

You had to read it in the mirror, and then of course you’re looking at yourself. From talking to fans…. (You’d think that would be an in!). It was a kind of person.

What kind of fool would object to someone telling a story of how they passed thru a period of suffering. Like the darkness in his lyrics, though, this wasn’t the whole story. Still thinking. DB: Come on, Adalena.

I stir up disgust just going about my business. Enter to Win Free Stream Access to Trailer Trash's “A TRASHY LITTLE HALLOWEEN HOME PARTY” Concert! (Nastanovich described Ectoslavia as “putrid noise, like a lousy Einsturzende Neubaten.”). I know we have sold a lot of records in Portland.

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